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In 1996, both Disneyland and Magic Kingdom added quasi-permanent Ariel’s Grotto meet-and-greet locations (in the latter, a very anticlimactic reuse of the Lost Legend: 20,000 Leagues). Sure, in 1992, Ariel made her requisite debut at the still-new Disney-MGM Studios by way of Voyage of the Little Mermaid, a 16-minute book report retelling of the tale quickly assembled to meet demand for the character (and never meant to be permanent… fast-forward to thirty years later…). And given all that, permanent, big-budget allusions to The Little Mermaid have been… well… surprisingly rare. Ariel cleared the way for every modern Disney Princess to come, introducing lavish, romantic, Broadway-caliber musical magic (thanks Howard Ashman and Alan Menken!) back into the popular lexicon and restarting Disney’s production of cross-generational, timeless fairytale films. The film literally saved Disney animation and kicked off the Disney Renaissance as we know it. That said, The Little Mermaid was a revolution. From parades to meet-and-greets to fireworks, it’s rare for a nighttime spectacular at Disney Parks to go its twenty-minute runtime without a rendition of “Part of Your World” or “Under the Sea.” From SpectroMagic to World of Color Fantasmic to Paint the Night, Ariel and company are practically as present in Disney Parks as Elsa and Anna… and that’s saying something. On one hand, The Little Mermaid is almost shockingly pervasive in Disney Parks. The Little Mermaid (1989) Image: Disneyįirst anchor attraction: Ariel's Undersea Adventure (2011 – 22 years after release)
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With the dismal opening of Disneyland Paris sapping the company’s cash, the rise of the Renaissance overlapped with the decline of the Disney Parks, leaving a massive gap that’s only now being filled! Today, let’s take a look at each film of the Disney Renaissance to see how it has (or, in most cases, hasn’t ) been brought to life in Disney Parks through rides and permanent attractions. Even as Walt Disney Animation experienced an unprecedented rebirth, refreshing the studios’ portfolio with characters that shaped a generation, Walt Disney Parks were floundering. Why? Frankly, The Walt Disney Company really ought to be called The Walt Disney Companies. Yet for the billions (yes, billions) of dollars earned by films at the box office, the tens of billions in merchandise, and the $50 billion Princess franchise spurred by the Disney Renaissance, it took decades for these generation-defining films to ever make their way into Disney Parks in the form of permanent, headlining, anchor rides. Despite having no narrative connections (and barely any marketing ones), these consecutive films look, sound, and feel like a cohesive collection without a doubt, a modern pinnacle not matched since. As fans of animation know well, Mermaid and the films that followed were retroactively regrouped into their own era –The Disney Renaissance. With hit after hit after hit at the box office, Disney’s fairy tale reinvention had breathed new life into a sagging studio and an almost-abandoned artform. And Ariel was only the start.įrom The Little Mermaid on, Disney could do no wrong. Not since Sleeping Beauty thirty years earlier had Disney tapped so beautifully into a timeless, romantic, artistic retelling of a fairytale. After decades of declining returns and meh-movies that threatened to literally bankrupt Walt Disney Productions, 1989’s The Little Mermaid was not just a return to form, but a return to formula. After all, in the 1990s, Walt Disney Animation did the unthinkable: it returned animation to the zeitgeist. Basically, everyone on Earth thinks the stories of their own childhood are just objectively the best. At this point, it's really no surprise that each generation is practically repulsed by the media of the next that our rosy hindsight leaves us sad and sorry for those who grow up without knowing the pop culture milestones that meant so much to us.
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If you ask just about anyone on Earth, movies, music, television shows, video games – and yes, Disney Parks – used to be so much better. Nostalgia is a force more powerful than gravity.